方玉润《诗经原始》的诗学观研究  

A Discussion of The Poetics on The Origin of the Book of Songs by Fang Yurun

作　　者：徐旭平[1] 

机构地区：[1]文山师范高等专科学校中文系,云南文山663000

出　　处：《文山师范高等专科学校学报》2009年第1期63-66,共4页Journal of Wenshan Teachers College

基　　金：2008年度云南省教育厅科学研究基金项目(08C0260);本文为该项目的终结性研究成果

摘　　要：以方玉润在《诗经原始》中对具体作品的评论为依据,总结和分析他的诗学观:首先是对《尚书》提出的"诗言志"传统诗学观进行了反叛,使他对《诗经》的解读回归到文学审美的轨道上来;其次是对"温柔敦厚"传统的儒家诗教顽固的维护,又使得他对《诗经》的解读带着浓重的卫道者色彩;再次是对他旗帜鲜明地提出的"原诗人始意"诗学观念进行探究,认为这一观念实际是从文学的特点去看《诗经》,而不是从历史的、经学的范畴去阅读和理解《诗经》,从而使《诗经》终于从经学回归到了文学,从道德说教回归到情感熏陶。无论是在清代还是在当代,这一诗学观念都具有指导阅读《诗经》原作的独特价值。This paper summarizes and analyzes Fang Yurun＇s poetics based on his commentary about works of art in The Origin of the Book of Songs. His viewpoint includes, firstly, he rebelled against the traditional viewpoint of ＂poems conveying ambition＂ in Shang shu, enabling his understanding of The Book of Songs to go back to literary aesthetics; secondly, he stubbornly defended the traditional Confucianism viewpoint upholding the practice of ＂gentleness and generosity＂, making him a real defendant of The book of Songs; thirdly, he strongly put forward the view of poet＇s original meaning, actually understood and interpreted The Book of Songs from literature, but not history and poetry, making his interpretation returning form poetry back to literature, form moral instruction to emotion cultivation. Thus, Fang Yurun＇s poetics bears a unique and valuable guidance to the understanding of The Book of Songs not only in the Qing Dynasty but nowadays.

关 键 词：诗经原始 诗学观 诗言志 温柔敦厚 始意 

分 类 号：I207.22[文学—中国文学]