铸鼎象物——论商周青铜器从语言文字到视觉图像的文本转换  

Discussion on the Shapes and Decorations of Bronze Utensils in the Shang and Zhou Dynasties

作　　者：龙红[1,2] 王玲娟[3] 

机构地区：[1]清华大学美术学院,北京100084 [2]重庆大学艺术学院,重庆400044 [3]重庆师范大学文学与新闻学院,重庆400047

出　　处：《大连大学学报》2009年第2期68-71,共4页Journal of Dalian University

基　　金：中国第44批博士后科学基金资助项目"中国古代造物设计与神话传说研究"(20080440404)阶段性成果之一

摘　　要：商周青铜器极好地做到了造型设计与装饰纹样的贯通勾连和交相辉映。不管是现实中真实的动物,还是想象中虚幻的神兽,往往都流传于神话传说当中,通过人们的理念构想反映于青铜器造型与纹样之中,反映出造物者相当浓厚的神话设计思想与理念色彩,从而使商周青铜器达成了从语言文字到视觉图像的文本转换。The bronze utensils in the Shang Dynasty and Zhou Dynasty had the consummate combination of shapes and decorations. Generally speaking, both the real animals and fictive animals which in myths and legends were widely used in the design of bronze utensils＇ shapes and decorations. Those designs of bronze utensils implicated rich and deep conceptions from myths and legends. And, bronze utensils of Shang Dynasty and Zhou Dynasty had obvious transition from myths and legends to utensils＇ shapes and decorations.

关 键 词：商周时代 青铜器 神话传说 造型 纹饰 

分 类 号：J0-05[艺术—艺术理论]