面具的诱惑——从后现代主义视角解读韩国电影《时间》  

The Allure of Masks: Analysis of Korean Film Time from the Postmodern Viewpoint

作　　者：王娟[1] 肖腊梅[1] 

机构地区：[1]西南科技大学外国语学院,四川绵阳621010

出　　处：《重庆邮电大学学报（社会科学版）》2009年第2期96-101,共6页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

摘　　要：韩国故事影片《时间》是导演金基德精心谱写的一曲潘多拉式的时代悲歌。该片呈现了整容手术对现代社会的致命吸引力和毁灭性打击的两难境地。作为整部影片中最主要的隐喻,整容手术被置于一种后现代式的审视和沉思之中。片中人物的精心刻画,故事情节和艺术手法的异乎寻常无一不透露出后现代主义倾向。South Korean film Time presents us with a Pandora-like gloomy elegy for the fascination and destruction of plastic surgery. The film displays the dilemma of the plastic surgery that brings fatal allure as well as destructive strike to modern society. As a leading metaphor of the film, plastic surgery explores itself with penetrating postmodern viewpoint and contemplation, which is perfectly incorporated in the deliberate characterizations, amoral plots and certain postmodernistic artistic techniques.

关 键 词：后现代主义 整容 商品 高科技 身份危机 

分 类 号：J905[艺术—电影电视艺术]