宋代新兴金石学对宋以来画学的影响  

Influence of Inscription Study in the Song Dynasty upon the Painting Study

作　　者：陈谷香[1] 

机构地区：[1]首都师范大学中国书法文化研究院,北京100037

出　　处：《艺术百家》2009年第2期75-80,共6页Hundred Schools In Arts

基　　金：国家"211工程"三期"艺术理论创新与应用研究"项目阶段性成果之一。

摘　　要：金石学不但在史料价值上对画学大有裨益,而且在绘画的视觉形式上,对画学也产生了一些深远影响:金石学的兴起,一方面使金石的一些审美特征在宋代以来的绘画中得到强调,并且使过去藏于树腔石脚的羞涩小名印发展为堂皇的为"接款字余韵"、"应画笔气势"的画印;另一方面,金石学在宋代的兴起至清代的兴盛发展,导致书法创作在原有轨迹上出现了重要分支。由于宋以来"以书入画"被得到特别的强调,书风的变革不可避免地影响到绘画创作。金石学对宋以来文人画的影响,随着宋以来中国文人画"诗、书、画、印"的一体化并程式化而久远。Inscription study is not only beneficial to the painting study as historical materials, but also influential in the visual form of painting. The emergence of inscription study, on the one hand, reinforces some aesthetic characteristics of inscription in paintings and changes the modest seal of the past to the magnificent painting seal; on the other hand, the prosperous development of inscription till the Qing Dynasty causes important branches in the previous path. Because the idea of ＂calligraphy into painting＂ is emphasized since the Song Dynasty, the reform of the calligraphy style inevitably influences the painting creation. The influence of inscription study upon the scholar painting is far - reaching with the integration and standardization of ＂ poetry, calligraphy, painting and seal＂.

关 键 词：金石学 画学 文人画 以书入画 宋代 影响 

分 类 号：J202[艺术—美术]