仿作为中国古代绘画创作方式的成因  

Origin for Imitation as A Way of Creation

作　　者：常存文[1] 岳川[2] 

机构地区：[1]内蒙古师范大学美术学院,内蒙古呼和浩特01002 [2]吉林艺术学院,吉林长春130021

出　　处：《吉林艺术学院学报》2007年第1期20-22,25,共4页Journal of Jilin University of Arts

摘　　要：“仿”作为一种借古人抒写已意的特殊创作方式,是明清时期的重要绘画现象。“仿”从绘画学习方式临摹演化而来,究其原因是多方面的。本文试图从中国古代绘画风格的演变、传承方式、绘画材料、明清时期特定的文化背景以及认定正宗的民族文化心理五个方面分析阐述这一问题。'Imitation'is one kind of fine arts creation during Ming and Qing Dynasties, 'Imitation' evolves from the copying study way of drawing. The cause of its formation is various. This article attempted to analyses this question from five aspects, which include the drawing style evolution of ancient China, the inheritance way, the drawing material, the specific cultural context in Ming and Qing Dynasties, as well as the orthodox national culture psychology.

关 键 词：仿 创作方式 成因 

分 类 号：J212.1[艺术—美术]