诗与剧的高度融合——曹禺与郭沫若剧作比较谈  

Highly Fusion of Poetry and Drama——A Comparative Study between the Drama of Cao Yu and Guo Mo-ruo

作　　者：付惠云[1] 

机构地区：[1]首都师范大学国际文化学院,北京100089

出　　处：《大同职业技术学院学报》2006年第3期30-33,共4页

摘　　要：无论有着诗人气质的曹禺还是诗人的郭沫若,他们在创作剧作时的心态都接近于诗的创作心态,这便是艺术的直觉在创作中的主导作用。情绪的推动,情感的迫切需要这种诗人的艺术直觉在禺和郭沫若的剧作创作中有着相似的表现,使曹禺剧作充满了诗意、诗味、诗情;使郭沫若的历史剧创作成为诗的延伸,诗的另一种表现形式。在诗与剧作的融合处,曹禺和郭沫若的剧作产生了某种契合。Both Cao Yu who has the temperament of a poet and Guo Mo-ruo who is a poet, have the mentality of composing the poetry when they create the drama. This is the dominant effect of art instinct in their creation. Such the art instinct of a poet as the push of emotion and imminence requirement of sensibility finds similar manifestation in the creation of the drama of both Cao Yu and Guo Mo-ruo, which makes the drama of Cao Yu full of poetic flavor, and the drama of Guo Mo-ruo the extension of poetry. In the fusion of poetry and dram, Cao Yu and Guo Mo-ruo reach certain privities.

关 键 词：曹禺 郭沫若 艺术直觉 诗与剧的融合 

分 类 号：I207.3[文学—中国文学]