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作 者:施鸣
出 处:《雕塑》2004年第3期14-15,共2页Sculpture
摘 要:众所周知,当代公共艺术的价值取向是以人为主体的语言表述方式,同时又极具大众化特征。公共艺术涉及生活环境的每一个角落,其所谓的“形式”已完全超越了传统“艺术形式”的分类方式,构成了多重性、包容性、复合性现象,虽然,我们暂且无法强加给公共艺术一个明确的定义,这正是我们需要理论与实践深化的问题,但不能否认的是:公共艺术的创作与评价尺度绝不可以脱离社会、环境、人与时代背景的因素。Statement of Compere It's known to us all that the value orientation of contemporary public art is language expression with human as the principal part, meanwhile, very popular. Public art is concerned about each comer of life environment; its so-called form has completely surpassed the classification way of 'artistic form', which constitutes diversification, containment and composition phenomenon. Though we couldn 't impose a clear definition to public art temporarily, which is the problem we need theory and practice to deepen, we couldn't deny that the creation of public art and appraisement measure couldn't break away from such factor as society, environment, human and era background.
关 键 词:城市雕塑 公共艺术 城市建设 CONST 雕塑家 城市的公共空间 意象美 设计创作 城市文化建设 语言表述方式
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