“乐”的精神——霍去病墓石刻艺术中的刻戏观念初探  

Spirit for "Cheerfulness" -Elementary Exploration of Carving Show mentality in Stone Carving Art for Huo Qubing's Tomb

作　　者：杨兴吉 

出　　处：《雕塑》2004年第3期37-38,共2页Sculpture

摘　　要：一、雕塑画意的审美境界 在我看来,中西传统的造型观念有一个显著的差异,即表现出的空间截然不同。以自我为中心的空间,把审美转化为自我通过艺术向世界敞开的活动是中国雕塑的母题。As far as I am concerned, there is an apparent difference between Chinese and western traditional modeling mentality, that's determinedly difference in expressional space. Being selfhood as the center of space and transmitting aesthetics into selfhood through the activities of art opening wide to the world are the mother topic of Chinese scul Mr. Zong Baihua compared drawing with sculpture. He said, 'in terms of relations of drawing and sculpture, drawing and sculpture of China and western countries are different. Greek drawing has a strong three-dimensional sense, focusing on concaved form and structure, paying attention to light and shade, which seems to move sculpture onto it. However, for China, it's the design artisan that played the leading role, giving priority to line strip and sculpture had a quality suggestive of painting' On one hand, sculpture is substance form of stillness and occupying actual volume, on the other it presents the evolution course of self-development to human kind. As far as this significance concerned, Chinese sculpture presents its own national feature, eternally sun'ives and reflects social spiritual appearance auto-visually and vividly and human physiological state, meanwhile, this is the concentrating reflection of national aesthetical spirit, humane inside information, life idea and historical evolution.

关 键 词：霍去病 石刻艺术 “乐” 雕塑 雕刻家 艺术创作 祁连山 古代中国人 审美境界 建筑装饰 

分 类 号：J305[艺术—美术]