修辞：音乐突围的谋略--欧洲音乐的艺术化倾向如何从教堂礼拜中产生的观察与分析(续)  

Observe and Analyse the Artistic Tendency of European Music From the Church Service(Ⅱ)

作　　者：姚亚平[1,2] 

机构地区：[1]中央音乐学院音乐学系 [2]中央音乐学院科研处

出　　处：《黄钟（武汉音乐学院学报）》2009年第2期145-153,共9页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：教育部普通高等学校人文社会科学重点研究基地重大项目《欧洲中世纪和文艺复兴时期音乐研究》的成果之一

摘　　要：欧洲音乐之所以朝向艺术化方向发展是由其文化深层的矛盾和冲突所导致;文化冲突的具体表现是礼仪与艺术性的矛盾,而修辞在其中扮演了重要的磨合剂的角色;修辞是一种权力的技巧和谋略,它冲淡了矛盾,掩护了礼拜仪式中的创新,使艺术化企图渐进而隐蔽[本文的前一部分发表在《黄钟》2009年第一期]。The writer had the opinion that the artistic tendency of European music had come from the deep-rooted structural imbalance of its culture, which embodied the contradiction and collision between the etiquette and artistry, and the rhetoric played an important role of adaptogen in it. The rhetoric is a kind of technique and strategy that effaced the conflict, covered the creation in the liturgy, and help its music artistic intention hidden as well as progress step by step.

关 键 词：修辞 艺术化 礼拜音乐 替换克劳苏拉 经文歌 

分 类 号：J609[艺术—音乐]