论谷崎润一郎作品中感性与抽象之美的融合  

On the Fusion of Perceptual and Abstract Beauty in Tanizakin Jun'ichirou's Works

作　　者：曾真[1] 

机构地区：[1]长沙理工大学文法学院,湖南长沙410076

出　　处：《柳州师专学报》2009年第2期38-41,共4页Journal of Liuzhou Teachers College

基　　金：湖南省教育厅资助科研项目:中日现代唯美主义文学思潮比较研究(06C140)

摘　　要：日本唯美主义作家谷崎润一郎执着于美的探索,致力于全方位的感官体验。其作品表现出对日常生活场景的摈弃和对日本传统美学理念"物哀"精神的体现,呈现抽象的虚幻之美和死亡的美学意义以及对纯粹美的极端崇拜。Japanese aestheticist writer Tanizakin Jun＇ iehirou persists in aestheticism. His works,on the one hand, devote to the all - directional perceptual experience, on the other hand, present the abstract unreal beauty. Through abandoning daily life scenes, manifesting the Japanese traditional esthetics principle of ＂wu＇ai＂ and expressing esthetics meaning of death, Tanizakin Jun＇ichirou＇s works fuse perceptual beauty and abstract beauty, and display the extreme worship of pure aestheticism.

关 键 词：谷崎润一郎 感性美 抽象美 融合 

分 类 号：I106[文学—世界文学]