女性自我救赎途径的实现——论“女性文学”内涵的界定  

On the Way of Women's Self-redemption: The Connotation of Its Definition

作　　者：孙海芳[1] 

机构地区：[1]商丘师范学院文学院,河南商丘476000

出　　处：《商丘师范学院学报》2009年第4期32-35,共4页Journal of Shangqiu Normal University

摘　　要："女性文学"并不是一个由"题材"框定的范畴,男性作家对女性题材的操作并不意味着男性作家可以依据这样的本文介入女性文学。事实上,"女性文学"首先是指女性作为书写主体的写作实践,它意味着话语权的争夺。妇女被拒斥在文学史之外,说到底是因为妇女一直被拒斥在写作之外。其次,"女性文学"是指一种可以使妇女摆脱菲勒斯中心的女性写作,一种无法为既定文学传统所规范、所封闭的,然而并不意味着它不存在的异质文本。从这个意义上讲,女性写作乃是一个生命与拯救的问题,女性文学永远意味着女性以特定的方式获得自我拯救。The conception of female literature is defined by its subject and male writer＇s manipulation of the feminine subject cannot make him involve in the female literature. In fact, female literature is a writing practice which takes female as the main body of writing. In this sense, it is female＇s struggle for discourse fight that result in the emergence of female literature. On the other hand, female literature also implies a kind of female writing that would help female get rid of the domination of phalloeentficism, a heterogeneity existence that cannot be specified and enclosed by literary tradition. For this reason, it always suggests women＇s self - redemption in their specific way.

关 键 词：女性文学 女性写作 生命与拯救 

分 类 号：I06[文学—文学理论]