美国当代反恐小说的叙事特征  

The narrative features of American contemporary anti-terrorist novel

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作  者:王予霞[1] 

机构地区:[1]集美大学文学院,福建厦门361021

出  处:《广州大学学报(社会科学版)》2009年第4期69-74,共6页Journal of Guangzhou University:Social Science Edition

基  金:教育部人文社科规划课题(06JA75047-99007);福建省社会科学规划课题(2006B2079)

摘  要:反恐小说在叙述手法上呈现出后现代美学特征和后殖民色彩,具体说有三个突出的特征:以破碎的叙述抑制恐怖冲动,以颓废的方式对抗恐怖袭击;恐怖主义人物形象大都具有阿拉伯的身份特征,并且话语体系紊乱,是失语的被动存在物;巴勒斯坦人也正在积极从本民族文化中寻求资源,构建自己的主体性,抗衡西方的文化霸权。Anti-terrorist novel displays features of post modern aesthetics and post colonialism in its narrative styles. To be more precise, firstly, it often restrains terrorist impulse in fragmented narrations, and counters terrorist attacks through decadent means. Secondly, most terrorist figures share Arabian identities, whose chaotic language system betrays them as passive existence without a discourse system. Thirdly, some Palestinians are actively seeking redemption from the resources of their local culture, in order to fabricate their own subjectivity and contend against the hegemony of western culture.

关 键 词:反恐小说 叙述特征 后殖民性 

分 类 号:I106.4[文学—世界文学]

 

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