中国的“油画”意识对当代美术教育的影响  

Effect of China’s"Painting"Consciousness on Education of Contemporary Fine Arts

作　　者：王丽雯[1] 

机构地区：[1]山西大学美术学院,山西太原030006

出　　处：《教育理论与实践（学科版）》2009年第5期56-57,共2页

摘　　要：中国现代美术教育形成于20世纪初油画被引进中国之际,中国的"油画"意识始终对美术教育有着深远的影响。20世纪70年代末以来,中国油画创作形式呈现出自由化现象,这正是当代美术教育的结果。一直以来中国油画强调和重视"民族化"问题。因此,我们要在实现"民族化"的意义上谈论中国社会中的艺术和教育。当代中国的"油画"和美术教育应遵循科学的教育理论,以独立的知识系统轻松、从容地向前发展。The education of modern fine arts in China was formed in the early 20th century when painting was introduced into China,China＇s ＂painting＂ consciousness has been exerting a profound effect on the education of fine arts. Since the late 1970s the phenomenon of liberalization in the creation of China＇s painting has been demonstrated, which is just a result of the education of contemporary fine arts. China has been emphasizing and valuing the ＂nationalization＂ of paintings all the time and we should discuss the art and education in China＇s society in terms of realizing the ＂nationalization＂. The theory of scientific education should be followed in the education of ＂painting＂ and fine arts in contemporary China, which develops smoothly with an independent system of knowledge.

关 键 词：油画意识 美术教育 民族化 

分 类 号：G65[文化科学—教育学]