论盛唐诗的“有我”与“无我”  

"Ego Exist" and "Ego Disappear" in the Poems of Prosperous Tang Dynasty

作　　者：胡遂[1] 

机构地区：[1]湖南大学岳麓书院国学研究基地湖南大学文学院,湖南长沙410082

出　　处：《湖南师范大学社会科学学报》2009年第2期108-111,共4页Journal of Social Science of Hunan Normal University

基　　金：国家社会科学基金立项课题"佛教与中国文人心路历程"(04BZW034)

摘　　要：盛唐诗的"有我"与"无我",与当时的佛禅思想颇有契合之处。概言之,盛唐诗的"有我"即是"吟咏情性",这是与此前初唐奉帝王之命而作的应制诗等宫廷诗最大不同,这正是当时慧能南宗禅的理论核心"佛性论"在诗坛上的表现。也正因为禅宗思想的渗入,盛唐诗虽"吟咏情性",但并不滥情,它既有真性情,却又超越了情性,达到了一种"无念"、"无相"、"无住"的"行到水穷处,坐看云起时"之洒脱、超逸,就在这种大自然"光采与我同"的境界中,诗人得到了极大的精神愉悦与难以言说的解脱自在,盛唐诗也达到了圆融澄澈的"无我"境界。In this article, there are some resemblance between the ＂Ego Exist＂ and ＂Ego Disappear＂ in the poems of prosperous Tang Dynasty and the thought of Zen Buddhism in that time. Generaly speaking, the ＂Ego Exist＂ in the poems of prosperous Tang Dynasty means to ＂recite temperament＂, which is the biggest difference to the Royal Poem composed under the emperor＇s oders in the early Tang. It is the performance of the theory core that ＂the Buddha-nature＂ belongs to the southern Zen which originated with Huineng in Parnassus. Also just because of the permeating of Zen thought, although the poems of prosperous Tang Dynasty pay great attention to ＂recite temperament＂, they do not overflow the sentiment at all. The poems not only contain natrual temperament, but also transcend it. So as to achieve an ambit called ＂not insist on thought＂, ＂not insist on character＂ and ＂not insist on stillness＂, which can make you feel free and easy just as the verse ＂Walking until the end of brook, just sit down to watch cloud rising＂ described. Just in the realm of ＂luster with me＂, the poet was fusion with the natrual and got the great joyful spirit with an easy feeling that can＇t be expressed by any word. At the same time, the poems of prosperous Tang Dynasty achieved the clearly ＂Ego Disappear＂ realm.

关 键 词：盛唐诗 有我 无我 慧能南宗禅 

分 类 号：I207.22[文学—中国文学]