中国悲剧精神与文艺批评的主体性——论熊元义文艺理论与批评的互动  

THE SPIRIT OF CHINESE TRAGEDY AND THE SUBJECTIVITY OF LITERARY CRITICISM On the Interaction Between Literary Theory and Criticism of Xiong Yuan-yi

作　　者：何轩[1] 

机构地区：[1]湖南理工学院中文系,湖南岳阳414006

出　　处：《云梦学刊》2009年第3期121-123,共3页Journal of Yunmeng

基　　金：教育部人文社会科学研究应急课题(项目编号:2008JYJ06)

摘　　要：熊元义对中国悲剧精神抗争之光的理论发现和运用,铸造了他的文艺批评的主体性,这种主体性表现为在批评实践中对文艺与社会,文艺与作家,文艺与人物形象,文艺与读者等四种关系中的主体精神的强调。Xiong Yuanyi＇s fighting spirit of Chinese tragedy molds his the subjectivity of literary criticism. It is the emphasis of the four subjectivity in the practice of literary criticism between art and social, art and writers, art and characters, art and reader.

关 键 词：熊元义 悲剧精神 抗争之光 主体性 

分 类 号：I03[文学—文学理论]