回到作者:关于文学阐释学的再思考  

Returning to Author: Rethinking about Literary Hermeneutics

作　　者：陆涛[1] 

机构地区：[1]南京大学文学院,江苏南京210093

出　　处：《东方论坛（青岛大学学报）》2009年第2期72-76,113,共6页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：文学阐释从作者到读者的转变,是文学作品意义从确定性到不确定性的转变。这种转变自然有其必然性和合理性的一面,但也给文学作品意义的阐释带来相对主义与怀疑主义的弊病。因此,倡导一种重新回到作者的文学阐释模式就十分必要。赫施的客观解释学理论是对文学作品意义确定性的追寻,它为克服当前文学阐释中的相对主义与混乱状态提供了借鉴。回到作者的理论范式显示的是对后现代精神的质疑和批判。This paper first discusses the change in literary interpretation from author to reader, which is also a change in literary meanings from certainty to uncertainty. This change certainly has its inevitability and rationality, but also brings relativism and skepticism to meanings of literary works. So, this paper advocates a kind of literary interpretation mode of returning to the author, combining Hirsch＇s hermeneutic theory to pursue the certainty of literary works, and providing reference for overcoming the relativism and skepticism in the field of literary interpretation.

关 键 词：作者 读者 文学阐释 意义 确定性 不确定性 

分 类 号：I02[文学—文学理论]