20世纪三四十年代的女性文学与丁玲的文学转折  

Female literature and Ding Ling′s turning point in literature in the 1930s and 1940s

作　　者：陈小英[1] 

机构地区：[1]福建农林大学艺术学院,福建福州350002

出　　处：《福建农林大学学报（哲学社会科学版）》2009年第3期109-112,共4页Journal of Fujian Agriculture and Forestry University(Philosophy and Social Sciences)

摘　　要：丁玲在五四精神影响下进入了文学界,以其大胆独白而受到关注。在20世纪三四十年代,她的创作出现了重要转折,从女性革命走向革命女性,这一方面是因为其女性创作找寻不到出路,另一方面是由于其政治选择。在20世纪40年代,丁玲的一些作品还是显露了她的独立思考,随后由于政治因素,丁玲放弃了个性表达,走向配合政治宣传。Affected by the May 4th Spirit,Ding Ling began her literature career,and was paid attention to because of her bold monologue.But in the 1930s and 1940s,a significant turning from the female revolution to the revolutionary female occurred in her writing due to her failure to find a way out in her female writing and due to her political choice.Meanwhile in the 1940s,some of Ding Ling′s works still showed her independence in thinking.Afterwards,for political factors,Ding Ling gave up her personality expressing and turn to fit her writing to the political propaganda.

关 键 词：丁玲 转折 女性革命 革命女性 

分 类 号：I206.6[文学—中国文学]