试论曹勋《松隐乐府》的“特质”及其“新变”  

A Tentative Approach to "Peculiar Features" and "Creative Changes" in Cao Xun’s Song Yin Yue Fu

作　　者：张幼良[1] 白帅敏[2] 

机构地区：[1]常熟理工学院人文学院,江苏常熟215500 [2]苏州大学文学院,江苏苏州215123

出　　处：《常熟理工学院学报》2009年第5期60-66,共7页Journal of Changshu Institute of Technology

基　　金：全国高校古籍整理项目"<箕颍词><松隐乐府>合笺"

摘　　要：曹组、曹勋乃北宋末南宋初著名父子词人。曹勋作词,有意追求"新变"。与其父曹组相比,曹勋词在数量上远远超过曹组,在题材上也与其父大不相同,创作了诸如道教词、祝寿词、节令词、边塞词等曹组词未涉及的内容。艺术上更是力求创新、创制、创调。这与当时曹勋的身份、时代风气及其创作理念密切相关。由于才力有限,曹勋词整体艺术水平不高。Cao Zu and Cao Xun, as father and son, are celebrated poets living during the transitional period between North Song Dynasty and South Song Dynasty. Cao Xun produced his Song poems to seek creative changes intentionally. Compared with his father Cao Zu, Cao Xun＇s poems outnumber those written by his father, with different subject matters from his father＇ s. He wrote many Song poems on Taoism, for the celebration of longevity, on festival occasions, and also on frontiers, all of which Cao Zu never tried. Furthermore, he strived to seek creative changes, produce new styles and new tunes, which is closely related to Cao Xun＇ s social position, social atmosphere and vogue as well as his creative ideas. Due to his limited talent and ability, Cao Xun＇s Song poems have not achieved high artistic attainment.

关 键 词：曹勋 《松隐乐府》 特质 新变 

分 类 号：I206.2[文学—中国文学]