“春秋笔法”与唐代小说叙事谋略探微  

A Brief Probe into Chunqiu Writing Technique in Narrative Strategies in Tang Dynasty Novels

作　　者：李春艳[1] 陈才训[2] 

机构地区：[1]天津大学文法学院,天津300071 [2]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《海南大学学报（人文社会科学版）》2009年第3期333-338,共6页Journal of Hainan University （Humanities & Social Sciences）

基　　金：2008年度黑龙江省哲学社会科学基金项目(08C019)

摘　　要：唐代尚史之风弥漫于文坛,造就了小说家特定的知识结构,从而赋予他们以突出的"史才";而许多唐代小说又多与当时的政治现实密切相联,为能自由地抒情言志、寄寓褒贬,于是源于历史叙事传统的"春秋笔法"便成为唐代小说家重要的叙事谋略。"春秋笔法"的内涵为:作者不作论断,而是将自己的主观褒贬暗寓于客观冷静的叙事之中;叙事隐晦深曲,讲究匣剑帏灯、旁敲侧击。此二法在唐代小说中得到了充分显示。Upholding history was popular in literary circle during Tang dynasty, which）rougnt up novelists＇s nique knowledge formation and consequently endued them with outstanding history talent. As many novels were closely related with political reality of the time, to express their emotion, attitude and appraisal boundlessly, novelists took their narative strategies after Chunqiu writing technique originated from historiographic narative traditions. By this technique, a writer hid his subjective appraisal in objective narrating instead of delivering direct judgment and narrated in implicit and periphrastic way. These two skills were put into full use in Tang dynasty novels.

关 键 词：春秋笔法 唐代小说 尚史之风 叙事谋略 

分 类 号：I207.41[文学—中国文学]