论唐代诗文中茶圣陆羽的美学形象  

On Lu-Yu’Aesthetic Image in the Poetry and Prose of Tang Dynasty

作　　者：蔡定益[1] 

机构地区：[1]景德镇陶瓷学院社科系,景德镇333403

出　　处：《茶叶》2009年第2期111-113,共3页Journal of Tea

摘　　要：唐代诗文中陆羽的美学形象既存在恬退独善、逃名出世的一面,又存在建功立业、求名入世的一面。造成这种矛盾是因为安史之乱撕裂了陆羽治国平天下的儒家理想,隐有不甘、仕又不可,从而形成了既非真正出世又非入世、半儒半佛、似隐非隐的陆羽形象。The aesthetic image of Lu-Yu in the poetry and prose of Tang dynasty is a paradox. On the one hand, he wanted to be hermitic and got rid of the secular life; on the other one hand, he wanted to become somebody who was in a consistent pursuit of achievement and fame. The cause of this kind of paradox was that the An Lushan Rebellion in 755, which torn up his ambition of running the country and bringing peace to the mass. This was influenced by the Confucian thoughts. It was not his genuine attention to become a hermit, yet it was hard for him to be a governor, which lead to this particular image of Lu-Yu, Who was, living between the secular world and the hermitic world, and who was half-Confucian and half-Buddhist, and seemingly a hermit yet not a real one.

关 键 词：唐代 陆羽 美学形象 

分 类 号：TS971[轻工技术与工程]