城市的公共性想象与日常性的消失——以“十七年”上海题材文学为例  

The Imagination of Urban Publicness and the Disappearing of the Everydayness——On the Seventeen Years Literature about Shanghai

作　　者：张鸿声[1] 

机构地区：[1]中国传媒大学文学院,北京100024

出　　处：《学术月刊》2009年第6期116-123,共8页Academic Monthly

基　　金：国家社科基金项目"中国当代城市题材文学研究"(批准号:07BZW047)阶段性成果

摘　　要：新中国成立以后,中国城市呈现出单一的国家工业化功能,这使中国社会的公共性带有强烈的国家意义,原有口岸城市的私性生活形态逐渐终止。由于社会主义的公共性被突出强调,在"十七年"文学中,城市日常性常常被理解为私性生活内容与口岸城市的资本主义符码,而通过文学中的伦理教化和社会控制表达加以剪除。在表现策略上,"十七年"文学,特别是在表现上海城市的文学中,在人物属性、时间和空间方面,将日常性在国家公共性的层面意义化,以表现其向公共性意义的过渡;或者干脆杜绝日常性表现。种种情形,造成了当代城市文学中日常性叙述的消亡。After liberation, Chinese city only took on the function of national industrialization, which made the publicness of Chinese society have strong national significance and the private life of port city disappear. Because of emphasizing on socialistic publicness, urban everydayness used to be viewed as the code of private life and port city capitalism in the Seventeen Years Literature, which was usually dismissed by moralization and social control in literature. The Seventeen Years Literature, especially the literature about Shanghai made everydayness take on national public significance to manifest its transition of public significance in the aspect of character,time and space,or put an end to expression of everydayness. All the things mentioned above lead to the disappearance of narrating of everydayness in the contemporary city literature.

关 键 词：公共性 日常性 私性“十七年”文学 上海题材 

分 类 号：I206.7[文学—中国文学]