仕女瓷画与唐代衣饰文化  

CULTURE OF DRESSING DECORATION ON LADIES IN THE TANG DYNASTY ON PORCELAIN PAINTINGS

作　　者：张小萍[1] 

机构地区：[1]景德镇高等专科学校,景德镇333000

出　　处：《中国陶瓷》2009年第7期60-61,73,共3页China Ceramics

摘　　要：衣饰是人类特有的劳动成果,它既是物质文明的结晶,又具有精神文明的含意。而唐代衣饰文化璀璨华美,绚丽开放。通过仕女瓷画中的唐代衣饰的繁复(服装花纹)、奢华(服装风格)、开放(服装款式)、丰肥(服装形态)等特点,可以折射出唐人的生活习俗、色彩爱好以及审美情趣、文化心态,并由此揭示唐时衣饰文化之成因。Dressing decoration in Tang dynasty was plentiful and colorful. Dressing decoration is outcome of material civilization and embodiment of spiritual civilization as well. From the features of its complexity （in dressing patterns） and luxurious （in its styles）, open （in its fashions） and full （in its shape）, are reflected the living customs of folks of the people of the time and love for the color and their aesthetics. Therefore, the cause for the dressing culture could be revealed.

关 键 词：仕女 瓷画 唐代 衣饰 文化 

分 类 号：TQ174.74[化学工程—陶瓷工业]