民族唱法在戏曲发声技术中吸取精华  

Chinese National Singing Drawing on Opera Vocal Skills

作　　者：黄学军[1] 

机构地区：[1]衡阳师范学院音乐系,湖南衡阳421008

出　　处：《衡阳师范学院学报》2009年第4期167-169,共3页Journal of Hengyang Normal University

基　　金：湖南省教育厅一般项目"论民族唱法男高音歌唱技术的继承与发展"(07C177)

摘　　要：我国有戏曲曲种360余种,演出剧目上千个。自公元14世纪的元朝,一直到上世纪的70年代,它在中国可以说是家喻户晓,童叟能唱,戏曲音乐才是中国真正意义的民族声乐的主体。它不仅造就了古代一些著名的歌唱家,也造就了现代许多歌唱家。民族声乐应继承传统戏曲中优秀的唱法,吸取戏曲发声技术精华,从而促进民族声乐的发展。China has more than 360 types of Chinese opera music types, over a thousand repertoires. From 14th century AD （Yuan Dynasty） till 1970s, operas are popular in China： people at all ages can sing a few lines. We can say that opera music is the true meaning of China＇s main national vocal music. It created a number of well-known singers, not only in old times, but also in modern ages. In order to get itself promoted and progressed, national singing should take in useful skills of opera vocal music.

关 键 词：民族唱法 戏曲 发声技术 

分 类 号：J61[艺术—音乐]