元代诗坛宗唐理论的确立与定型——以袁桷的诗歌批评为中心  

The Establishment and Forming of Learning from Tang in Poesy in Yuan Dynasty——With Reference to Yuan Jue's Comments on Poesy

作　　者：杨亮[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《太原理工大学学报（社会科学版）》2009年第2期48-52,共5页Journal of Taiyuan University of Technology(Social Science Edition)

基　　金：河南省教育厅人文社会科学研究基金项目(2008-GH-018);全国高校古委会元代文人别集<清容居士集校注>资助项目(0830)

摘　　要：通过对袁桷诗歌理论的探讨就会发现,他在对宋末的诗风批判中,确立了学习唐人诗歌的风貌,并对如何学习唐诗有明确的界定和审美范式。他从源头做起,模仿和借鉴《诗经》以及建安以来优秀诗歌传统。从元大德、延祐年间开始的对唐人文学风貌的模仿与推崇是在对南宋末文风的批评基础之上确立的,袁桷凭借文坛领袖地位对当时的诗坛风尚的确立和定型无疑起了先导作用。Through the probing into the Yuan Jue＇s comments on poesy, we find that Yuan Jue has definite thought and taste pattern. The poets in Tang Dynasty was a part of his learning, his real intention was modeling after ＂The Songs＂ and excellent poesy tradition from Jianan era, so that he could get the tradition. From Dade and Yanyou era in Yuan Dynasy,his learning from the poets in Tang Dansty was based on the criticizing the style of writing in the end of Southern Song Dynasy. It is no doubt that Yuan Jue played a forerunner role in the establishment and forming of the posey fashion by his leading position in literature.

关 键 词：元代 宗唐理论 确立与定型 袁桷 

分 类 号：I207.2[文学—中国文学]