民居建筑“工艺化”中的主与匠之研究  

作　　者：卢圆华[1] 

机构地区：[1]台湾成功大学建筑研究所

出　　处：《华中建筑》1998年第2期117-119,共3页Huazhong Architecture

摘　　要：从现存的明、清两季民居建筑实体，我们可以发现越是传统的末代，其构造形式的工艺化程度越是明显。这一建筑现象背后的住居文化因素，隐含有特殊的营造理念与生产机制。该建筑物的构形（ｃｏｎｆｉｇｕｒａｔｉｏｎ）朝向式艺化发展并衍化成特定的住屋文化符号，是与“主、匠兴造”的作者观的勃发有着因果关系，该文研究了在民居建筑营造的本体论的兴造的主体性基础上，尝试分析与匠家等身的匠作———技艺、工巧、技术、艺术等价值意识，如何进一步形成社会变迁中匠家的适应。From the existent traditional architecture in Ming and Qing Dynasty, we can find that the craftization of buildings are more and more obvious as time went by. Building's configuration developed towards craftization and became a certain symbol of housing culture, which has causality with the flourish of the author's opinion of 'Construction of Subject and Craft'. Basing on the ontology and subjectivity of traditional houses' construction, this paper tries to analyse craftsmen's craftsmanship, technology, art and other consciousness of value, and how the craftsmen adapted their craft to the changing society.

关 键 词：民居建筑 工艺化 兴造主体性 住居文化 匠作 

分 类 号：TU－80[建筑科学] TU－092