论以昆曲唱词——以薛绍徽唱词观为中心  

On Singing Ci with the Tune of Kunqu Opera:Centered on Xue-Shaohui's Viewpoint on Singing Ci

作　　者：刘荣平[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报（哲学社会科学版）》2009年第4期109-115,共7页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

基　　金：福建省社会科学基金项目"<赌棋山庄词话>笺注"(2008B112)

摘　　要：薛绍徽用昆曲唱唐宋词是逼近唐音宋调的有效手段,她提出的"无词不可唱,无词不合乐"的观点,对于我们今天唱唐宋词颇具参考价值和启示意义。具体到唱词,她提出的"长音使短,短音使长"的方法即是昆唱中的"依字声行腔";她认为词之唱"不在于谱",通过分析,可知其原因实在于腔;她由词唱的角度去看待词之韵脚平仄,这是注意到了音乐对歌词的重构作用。其唱词方法和观点与当今词乐专家洛地、刘崇德主张的唱词方法和观点在学理上相通。可以说用昆曲唱唐宋词是目前最好的方法之一。Xue Shaohui singing of ci-peem of the Tang and Song dynasties with the tune of Kunqu opera effectively approaches the original ttmes. Her viewpoint that any ei can be sung and every ci is in rhyme has shedded light on today＇ s ci singing. Her advocation of ＂making the long sound short and the short one long＂ is actually ＂ singing the tunes according to the lyric＂ in Kunqu and she also said that singing ci is ＂not confined to music score＂. When she looked on the level and oblique tones and rhyme through the angle of singing, she noticed the reconstruction role of music to lyrics. Her viewpoint is in line with Luo- Di＇s and Liu Chongde＇s professioanal ideas. It may be said that that singing ci of the Tang and Song dynasties with the tune of Kunqu opera is one of the best ways today.

关 键 词：薛绍徽 唱词观 昆腔 

分 类 号：J617.16[艺术—音乐]