二元对立中的欧洲认同——以19世纪欧洲文学艺术为例  

The Dialectic of European Identification as Exemplified in 19th-Century Literature and Art

作　　者：易丹[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《四川大学学报（哲学社会科学版）》2009年第4期114-121,共8页Journal of Sichuan University：Philosophy and Social Science Edition

基　　金：教育部人文社会科学研究项目"欧洲一体化进程中的文化矛盾及启示研究"(08JA810018)成果

摘　　要：19世纪欧洲发展的一大特征,是以民族主义为导向的民族国家建设。在此过程中,欧洲文化认同呈现出四分五裂的状态。尽管存在着浪漫主义关于整体欧洲的构想,但这些构想却不能在民族国家的政治框架内实现。与此同时,欧洲向海外的扩张,却在欧洲之外为不同的欧洲国家公民提供了文化认同的想象空间,尽管这种想象往往伴随着带有欧洲中心主义色彩的文化优越感和种族主义的价值判断。Emergence of nation-states and national identity building was a key historical scenario in the 19th century Europe. Besides the Romantic calls for an integrated Europe, identification of Europeans at the time was out of question inside Europe because of the vigorous nation building in various nation-states. Drawing examples from literature and art, this thesis tries to show that it was in the imagination of the non-European cultures and interactions with them, the Europeans had established a common identity. Therefore, this thesis postulates that a European identity cannot exist without a global context, and a European identity building subsequently cannot be achieved merely within Europe.

关 键 词：19世纪欧洲文化发展 欧洲认同 全球化语境 

分 类 号：I564[文学—其他各国文学]