从文化视角看中国的“新民乐”  

Look from the perspective of Chinese culture "New Folk Music"

作　　者：李锋[1] 左建新[2] 

机构地区：[1]燕山大学艺术与设计学院,河北秦皇岛066000 [2]河北科技师范学院艺术学院,河北秦皇岛066000

出　　处：《河北学刊》2009年第5期211-213,共3页Hebei Academic Journal

摘　　要：作为传统音乐与现代音乐相结合的一种新音乐形式,中国"新民乐"受到社会各界人士的广泛关注。它的出现,在一定程度上顺应了社会发展的某种客观规律,其是非曲直应放在社会文化背景下去讨论和探究。中国"新民乐"在自身发展的同时,应注意对本民族文化信息的传递,符合民族文化发展的长远利益。"新民乐"的发展尚有待于进一步完善,以及文化界和音乐理论界的关注与指导。As a traditional music and modern music that combines the music of a new form of Chinese＂ New Folk Music＂by all sectors of the community wide concern. It appears, to some extent, conform to the social development of certain objective laws, but it should be on the merits of the cultural background of this discussion and research. China＇s＂ New Folk Music＂ in their own development at the same time, we must pay attention to the culture of information transmission, must be in line with the development of the long -term interests of the national culture. ＂New Folk Music has yet to be the development of＂ improved cultural and music theory to be of such concern and guidance.

关 键 词：文化 新民乐 解读 展望 

分 类 号：J607[艺术—音乐]