现象学视域中的声乐表演本体的解读  

An Analysis on the Ontology of Vocal Music Performance from Phenomenological Aesthetics

作　　者：羊为军[1] 

机构地区：[1]西安音乐学院声乐系,陕西西安317527

出　　处：《音乐探索》2009年第3期79-81,共3页Explorations in Music

摘　　要：现象学美学是20世纪最重要的美学学派之一．从现象学美学的基本原理及其思想渊源入手，可以对声乐表演诠释的多种可能性，以及声乐表演与忠于原作的关系问题作研究。Phenomenological aesthetics is one of the most important aesthetics schools in 20th century, its repre- sentative was the philosopher and aesthetician, Roman Ingarden. Start- ing with the fundamental principle of phenomenological aesthetics, the author makes a study on the rela- tionship between vocal music perfor- mance and music original.

关 键 词：现象学 同一性 意向性对象 演奏诠释 

分 类 号：J616[艺术—音乐]