《雷雨》的戏剧冲突和结构艺术  

Dramatic Conflicts and Structural Art in Thunderstorm

作　　者：程致中[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241003

出　　处：《安徽师范大学学报（社会科学版）》2009年第4期441-447,共7页Journal of Anhui Normal University(Hum.&Soc.Sci.)

摘　　要：《雷雨》是中国话剧史上第一部用"三一律"结构形式写成的多幕剧,采用危机上开幕的结构方法,在矛盾冲突接近总爆发的时刻回溯和交代复杂前因。全剧有多重戏剧冲突线,贯串始终的主要冲突是繁漪和周朴园、周萍父子的冲突,以繁漪、周萍的冲突加强繁漪、周朴园的冲突正是作者的高明之处,周宅的母子乱伦事件是周朴园的家庭专制造成的。众多矛盾冲突与主要冲突彼此交织向前发展。该剧还成功地运用了"发现"与"突转"、"悬念"、"巧合"等结构技巧。《雷雨》艺术生命力百年不衰,和它缜密严谨的结构艺术密不可分。Thunderstorm is the first full -length play in the Chinese dramatic history applying three uinties, which opens the act on crisis, and backtracks and gives complicated reasons near climax. This drama has several threads of conflicts. The main conflict is between Fanyi and Zhou Puyuan and Zhou Ping. The author＇s highest tact is the conflict between Fanyi and Zhou Ping intensifies the one between Fanyi and Zhou Puyuan. The incest in the family is caused by Zhou Puyuan＇s despotism. Many conflicts are interlinked. There are other skills, such as ＂discovery＂, ＂peripety＂ , ＂suspension＂, ＂coincidence＂, etc. Thunderstorm＇s permanet artistic fascination is associated with its meticulous structural art.

关 键 词：《雷雨》 结构艺术 戏剧冲突 

分 类 号：I207.34[文学—中国文学]