论朱贞木及其武侠小说  

On Zhu Zhenmu and its Chinese Martial Arts Novels

作　　者：张元卿[1] 

机构地区：[1]天津社会科学院文学研究所,天津市300191

出　　处：《西南大学学报（社会科学版）》2009年第5期49-53,共5页Journal of Southwest University(Social Sciences Edition)

基　　金：教育部人文社会科学研究规划基金项目"‘后金庸’武侠小说与武侠文化现象研究"(07JA751029);项目负责人:韩云波

摘　　要：在中国现代武侠小说家中,朱贞木是一位重要作家,但多年来由于其小说散佚难觅,生平资料发掘甚少,对于他的研究一直滞后于还珠楼主、白羽、郑证因等与他同时代的武侠作家。朱贞木是具有探索精神并已形成自己的特色但尚未大成的武侠小说家。从还珠楼主到金庸,从民国旧武侠到港台新武侠,朱贞木是一位关键人物,其小说承前启后,继往开来,是20世纪武侠小说史上不可或缺的重要一环。Zhu Zhenmu is an important figure of the Chinese modern martial arts writers. But due to the loss of his works and relevant materials, the research about him fell far behind his contemporaries. Zhen Zhenmu is a creative and distinctive writer, although has not made his mark. But Zhu Zhenmu functions as the crucial transition from Huanzhulouzhu to Jin Yong, and that from the martial arts fiction in the Republic Period to the Hong Kong and Taiwan Fictions. His novels were indispensable part of the 20th Century martial arts fictions.

关 键 词：朱贞木 《罗刹夫人》 《七杀碑》 港台新武侠 

分 类 号：I207.42[文学—中国文学]