当代意象理论五大家评述  

Five Major Image Theories of the Contemporary Era

作　　者：莫先武[1] 

机构地区：[1]南京晓庄学院人文学院,江苏南京211171

出　　处：《南京晓庄学院学报》2009年第4期74-84,共11页Journal of Nanjing Xiaozhuang University

基　　金：2007年江苏省教育厅高校哲学社会科学基金指导项目"中国传统意境理论的现代转型"(07SJD750020)阶段性成果

摘　　要：新时期以来,以意象作为对象反思、重筑文艺学美学理论的主要有五大流派,即汪裕雄的审美心理基元说,顾祖钊的意象文艺至境说,夏之放的文艺学美学逻辑起点说和郭外岑的表现性意象文艺形态说和朱志荣的美的元范畴说。本文对各派学说进行总结,并作出一定评介。Since the New Period of Literature,there are five schools of theories aiming to reconstruct literary aesthetic theory with image as the reflective object.They are Wang Yuxiong's theory of the elements of aesthetic psychology,Gu Zuzhao's theory of the ultimate mood of image literary,Xia Zhifang's theory of logic-based literature,art and aesthetics,Guo Waicen's theory of the performance art imagery patterns and Zhu Zhirong's theory of meta-category of aesthetics.This article gives a summary and evaluation of the five schools of theories.

关 键 词：审美心理基元说 意象文艺至境说 文艺学美学逻辑起点说 表现性意象文艺形态说 美的元范畴说 

分 类 号：B83-06[哲学宗教—美学]