“有意味的形式”:中国当代先锋小说叙事迷宫探幽  

Meaningful Form:A Probe into Chinese Contemporary New-tide Novels Labyrinth

作　　者：王永兵[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246133

出　　处：《安庆师范学院学报（社会科学版）》2009年第8期102-106,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：国家社会科学基金项目(09BZW062)

摘　　要：中国当代先锋小说的叙事迷宫受益于欧美后现代小说尤其是博尔赫斯小说,呈现的方式有空缺、暴露叙事行为和互文性文本等。叙事迷宫是后现代哲学语境的产物,同时又是先锋作家与中国当代语境对话的一种方式,其中意味深长,值得深入探究。The Narrative labyrinth refers to the author deliberately creating of a complex with no fixed path and letting readers dazzled in the text, confused by the structure and morphology of disorder. It is showed in those way,for example： the vacancy, the exposed narrative behavior, the intertextuality text, and so on. The Narrative labyrinth is not only a product of the post-modern philosophy context, but also is regarded as a way which the contemporary new-tide writers di- alogue with the Chinese contemporary context, so it is meaningful, well-intentioned, and to be worth carefully deliberating.

关 键 词：中国当代先锋小说 叙事迷宫 呈现方式 意味 

分 类 号：I206.6[文学—中国文学]