儒理的召唤 传统的回归——浅析高明《琵琶记》的男权意识  

Call of Neo-Confucianism and the Return of Tradition:A Research into the Consciousness of Man's AuthorityIn Gao Ming's "The Story of the Pipa"

作　　者：覃素安[1] 

机构地区：[1]茂名学院高州师范分院中文系,广东茂名525200

出　　处：《阴山学刊》2009年第4期27-30,34,共5页Yinshan Academic Journal

摘　　要：《琵琶记》是一部具有浓郁男权意味的经典剧作。男权意识体现在女性形象牛小姐、赵五娘和男性形象蔡伯喈身上,它们主要表现为两个方面:一是男性对女性的审美追求;二是男性人生价值的定位。剧作如此刻意重提文学作品中并不鲜见的男权意识是为了维护和提升元代渐已失落的男性权威和儒理地位。＂The Story of the Pipa＂ is a classical drama full of consciousness of male authority, which is reflected by the images of Miss Niu and Zhao Wuniang, and Cai Bojie in two aspects： man＇ s view of aesthetic pursuit on woman and man＇ s understanding on life value. Intentionally bringing up the male authority which is not rare in literary works, this drama makes effort to maintain and improve the male authority and the importance of Neo - Confucianism which has been gradually lost its status in Yuan Dynasty.

关 键 词：高明 《琵琶记》 男权意识 男性权威 儒理地位 

分 类 号：I207.3[文学—中国文学]