庄老告退 山水方滋——东晋士族文学的特征及其流变  

Zhuanglao Backing down and Shanshui Emerging Characteristics and Transmutations of Noble Literature in Estern Jin Dynasty

作　　者：孙明君[1] 

机构地区：[1]清华大学人文学院,北京100084

出　　处：《北京大学学报（哲学社会科学版）》2009年第5期55-62,共8页Journal of Peking University(Philosophy and Social Sciences)

基　　金："新世纪优秀人才支持计划资助";国家社会科学基金项目(04BZW018)

摘　　要：在东晋诗坛上,"庄老"与"山水"共同存在于士族文学这一大系统中,构成了东晋士族文学的双重主题。东晋士族文学以淝水之战分为前后两个时期,"庄老"与"山水"的位置在前后期发生了转化。前期的特点是"庄老兴盛,山水体道",后期的现状是"庄老告退,山水方滋"。无论是前期还是后期,士族意识皆渗透在士族文学创作中。促使诗歌从玄言诗向山水诗转化的原因甚多,士族名士在社会生活中的炫耀意识和在艺术审美层面的求新意识是其中的重要原因。Liuxie＇s remarks ＂Zhuanglao backs down and Shangshui emerges＂ aroused different opinions from the academic world. This thesis analyzes these opinions and concludes that Zhuanglao and Shanshui both existed in the huge system of noble literature and formed double themes of literatures of Estern Jin. Estern Jin＇ s literary activities is divided in to two period, and Feishui war is the turning point. Zhuanglao has been replaced by Shanshui in the second period. Before Feishui war, the basic characteristics of literature is＂ Zhuanglao blooming and Shanshui representing Taoism＂, but afterwards, Zhuanglao retreated and Shanshui began to bloom. While during Estern Jin dynasty, literary activities is deeply penetrated by noble consciousness. There are lots of factors that prompted Zhuanglao turns to Shanshui, and the most important factor is the consciousness of nobles＇ showing off their luxurious lives and exploring new topics at the level of aesthetics.

关 键 词：庄老 山水 玄言诗 山水诗 土族文学 

分 类 号：I207.2[文学—中国文学]