现代主义的焦虑  

The Anxiety of Modernism

作　　者：周计武[1] 

机构地区：[1]南京大学,江苏南京210093

出　　处：《阅江学刊》2009年第1期115-121,共7页Yuejiang Academic Journal

基　　金：国家社会科学基金青年项目"现代性视野下的艺术终结研究"(07CZW006)

摘　　要：黑格尔之后的现代主义艺术与传统、社会和自身的规范处于激进的对抗和分裂之中。焦虑是现代主义的核心特征。现代主义的焦虑主要表现在三个方面:艺术界的去魅与神性的迷失;美的失落与艺术形式的非人化;艺术的自律与自律体制的合法化危机。After Hegel, the modernist art and its tradition came into the radical confrontation and split. The same is true for society and its own regulation. Anxiety is the core characteristic of the modernism and is represented in the three aspects ： the disenchantment of art world and the loss of divinity; the absence of beauty and the dehumanization of art form; the legitimizing crisis of autonomy and autonomic system of art.

关 键 词：现代主义 焦虑 去魅 非人化 自律 

分 类 号：I0-02[文学—文学理论]