棒杀与捧杀——试析对柳永词的两种极端评价  

Severely Criticized or Highly Praised——Analysis of the Two Extreme Comments on Liu Yong's Ci Poetry

作　　者：曲向红[1] 

机构地区：[1]山东财政学院人文艺术学院,山东济南250014

出　　处：《温州大学学报（社会科学版）》2009年第5期101-105,共5页Journal of Wenzhou University：Social Science Edition

摘　　要：柳永词因其对歌妓舞女的露骨甚至色情描写而在宋代被人以淫艳鄙俗之名棒杀,但在当代的批评中,其词却又被拔高到为妓女写心、代女性立言的高度。这两种评价都不免走入极端。诚然,柳永词在男性视角下的女性描写有局限性,但其花情柳思、俚俗之体对宋词的发展亦有深厚的涵养;另一方面,当时的社会由男性掌握话语权,女性缺乏自己的声音,在男性意识的笼罩之下是不可能出现真正代女性立言写心的词作的。Liu Yong＇s ci poetries were severely criticized for the explicit pornography of images of prostitutes in the Song Dynasty. At that time, Liu Yong＇s ci poetries were considered as obscene and vulgar poems. But in contemporary comments, Liu Yong＇s ci poetries have gained positive image. His ci poetries have been regarded as a spokesman of prostitutes and females. All these two kinds of comments are inevitably fallen into two extremes. To be sure, Liu Yong＇s ci poetries, which were written in the perspective of male, had its own limitations in the descriptions of females. On one hand, Liu Yong＇s ci poetries had profound impact on the development of Song Ci poetries for the description of love and the vulgar style of writing. On the other hand, in the patrilineal society, females could seldom have opportunities to speak for themselves. So it was impossible for the literati to write as a spokesman of female under the control of male ideology

关 键 词：柳永 词 女性 男性意识 

分 类 号：I207.23[文学—中国文学]