范伯子诗学渊源考论  

Poetic Origin of Fan Bozi

作　　者：黄伟[1] 董芬[1] 

机构地区：[1]南通大学范曾艺术馆,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2009年第5期129-134,共6页Journal of Nantong University:Social Sciences Edition

基　　金：江苏省高校哲学社会科学基金资助项目(08SJB7500006);南通大学范氏诗文研究所课题招标项目(08fssw09)

摘　　要：范伯子是晚清诗坛上"以布衣而名满天下"的本色诗人,其诗学理念也呈现出传统诗学大结裹期重总结、善融通等诸多特点。"瓣香前哲无休歇"是范伯子诗学涂辙的法门自述,在其所标举的诗家楷模中,除却备为称道的李、杜、韩、苏、黄诸家之外,桐城派与同光体似乎与范伯子的诗学渊源最为密切。后世学者的研究目光也大都聚焦在范伯子与桐城派、同光体诗学理念的纠结异同上,往往忽视了范氏家族一以贯之的庭训家法对伯子诗学理念的开启熏染之功,也低估甚至忽略了范伯子素所敬仰的"太初师"曾文正与授业恩师刘融斋在其诗学取法轨辙上留下的深刻印迹与导夫先路的重要影响。Fan Bozi is a famous figure on the Parnassus in the late Qing dynasty, whose poetic ideas not only embodies summarizing character, but also digest all these theories with the analyze. To Fan Bozi, the best way to success is the profound study of other famous poets. In his strategic learning, besides Li Bai, Du Fu, HanY u, Su Shi and Huang Tingjian etc, School of Tong cheng and Tong Guang Style are the most influential schools on Fan Bozi＇s style in literature creation. Researchers of later generations focused on the similarities and deviations of Fan Bozi and School of Tong cheng and Tong Guang Style, and neglected the fact that Fan＇s family have influences on Fan Bozi＇s poetic ideas. They even underestimated or neglected that both Zeng Guofan and Liu Xizai have important influence on poetic ideas of Fan Bozi.

关 键 词：范伯子 诗学渊源 曾国藩 刘熙载 

分 类 号：I207.227.52[文学—中国文学]