在表现与再现之间——论马致远杂剧的创作主体性  

Between Expression and Re-expression——On Subjectivity of Ma Zhiyuan's Zaju

作　　者：徐秋林[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《湖南文理学院学报（社会科学版）》2009年第5期95-96,共2页Journal of Hunan University of Arts and Science:Social Science Edition

摘　　要：马致远的杂剧,就风格而言,以文采胜又不离本色,在格调上,马剧是早期文人剧的代表。马致远杂剧的创作主体性体现在人物设置和题材处理两方面。小人形象表现了作者的某种现实思考,题材上的文人化操作表现了作者的文人意识。The style of Ma Zhiyuan＇ s zaju is characterized by literary talents but it does not go away from the true color of zaju. Zhiyuan＇ s zaju is the representative of early literati play. The subjectivity of Zhiyuan＇ s zaju is shown in character and theme. The character of ＂mean man＂ expresses writer＇ s certain reflection of reality. The literati operation in theme expresses writer＇s literati sense.

关 键 词：马致远 文人剧 小人形象 文人意识 

分 类 号：I207.3[文学—中国文学]