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作 者:王辉斌[1]
出 处:《南都学坛(南阳师范学院人文社会科学学报)》2009年第6期59-65,共7页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基 金:湖北省教育厅重点项目"两宋诗歌史的文化观照";项目编号:2008d127
摘 要:北宋诗歌艺术精神与审美特质的形成与确立,虽然原因种种,但其中最关键、最核心也是最本质者,则是因北宋诗人的"宗唐而变唐"所致。所谓"宗唐",就是以唐诗为典范向其学习,而"变唐",则是指借鉴唐诗的创作经验以创作出与其不同的美学风范之诗歌来。北宋诗人的变唐,主要经历了三个阶段,具体为:初期,于模仿中初显精神;中期,执著而热烈的变唐;晚期,宗唐而变唐的高峰。这三个时期的变唐,既成就各具,而又特点各异,在北宋诗歌的发展史上占有重要地位。Among of the various reasons for the formation and establishment of the poetry' s art spirit and aesthetic particularity in the Northern Song Dynasty, the most important and basic one is the poets' change in thought from learning from the Tang Dynasty to changing it. The so-called "changing the poetry of the Tang Dynasty" means that they create poems with unique features different from the Tang Dynasty on the basis of learning from the creation experience of the poetry of the Tang Dynasty. It mainly experiences three stages as the following. First, expressing its own spirit in the process of imitating. Second, changing the poetry' s style of the Tang Dynasty enthusiastically. Third, reaching its peak. These three stages gain different achievements with distinctive features, as a result, they play an important role in the development of the poetry in the Northern Song Dynasty.
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