王维山水诗与松尾芭蕉俳句之比较——以禅道思想影响为中心  

Comparison of Wang Wei's Landscape Poetry and Matuwo Baseu's Haiku——Centered around the Influence of Zen Buddhism and Taoism

作　　者：周建萍[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221116

出　　处：《徐州工程学院学报（社会科学版）》2009年第6期32-35,68,共5页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社科基金青年项目"中日古典审美范畴比较研究"(07CZW005)

摘　　要：王维是盛唐山水田园诗派的代表,他笔下的山水田园景色具有"情景交融,诗画一体"的美感。松尾芭蕉是日本俳坛上的"俳圣",他所创立的"蕉风俳谐",是日本诗歌史上的里程碑。王维和松尾芭蕉虽然处在不同时代、不同国度和不同民族,但他们的审美对象和艺术风格却很相似,其原因应该在于禅道思想的影响使他们形成了相近的世界观和美学思想。王维表现出的是牧歌式的适意,芭蕉流露出的是苦寒之色。尽管如此,他们在执着于艺术之道的追求中,终究是形成了相似的艺术精神。As a representative of landscape and pastoral poetry in the Glorious Age of Tang Dynasty, Wang Wei was renowned for his sensuous depiction of hills and waters and pastoral scenery, in which ＂feeling and setting are harnoniously blended, and painting resides in poetical lines＂. Matuwo Baseu, worshiped as a saint Haiku poet in Japan, was the founder of Shofu Haikai, a monument in the poetic history of Japan. Though living in different times, different nations, and different nationalities, Wang and Matuwo Baseu share a lot of similarities in aesthetic taste and style, owint to the similar world outlook and aesthetic thinking they formed from the influence of Zen Buddhism and Taoism. The only difference is that Wang Wei impresses us with his pastoral merrymaking, while Matuwo Baseu strikes us with his humble bitterness. In spite of this, they formed quite similar artistic spirit in their persistent pursuit for artistic perfection.

关 键 词：山水诗 田园诗 俳句 禅宗思想 道家思想 

分 类 号：I207.2[文学—中国文学]