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作 者:殷学明[1]
出 处:《中南民族大学学报(人文社会科学版)》2009年第6期155-159,共5页Journal of South-Central Minzu University (Humanities and Social Sciences)
基 金:山东省社会科学规划研究重点项目"本事迁移理论与转型时期审美文化生产研究"(07BWXJ02)
摘 要:嫦娥奔月本事迁移不仅是诗性的叙事迁移,而且是文化表征的迁移。嫦娥作为本事形成事态的施事者,其元声音为■我、元形象则为战神;"奔"为行动素,它昭示了本事的事态情由。"月"为受事者,是中华文化最为诗性的搭载受事意象;奔月本事在认同迁移过程中形成了"这一个"文化效应场规约着民族范式。文化视界下嫦娥奔月本事迁移研究是疏导修复与原典诗缘对话的文化堤岸,从而也为古代文论现代化交接提供智性支持和理论铺垫。the Transference of "Change flying to the Moon" is not only the Poetic narrative transference, but also that of cultural representation. Change as the agent of the formation of events, the original voice is each I, the original image is god of war; "fly" is the factor of action which revealed the cause of the story. "Moon" is the passive agent, and it's the the most poetic attached story imagery; Under cultural perspective, research on the original story transference of "Change flying to the Moon" is the cultural bank between repair and conversation with classical poem, and lay intellectual and theoretical foundation for modernization of ancient articles.
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