板块结构的叙事张力——析顾长卫的《孔雀》  

Narrative Tension in Plate Structure: An Analysis on "The Peacock"

作　　者：杨晓云[1] 

机构地区：[1]四川文理学院中文系,四川达州635000

出　　处：《四川文理学院学报》2009年第6期8-10,共3页Sichuan University of Arts and Science Journal

摘　　要：《孔雀》以朴实无华的画面,板块复调结构的叙事,彰显了父母与儿女以及相互之间的情感,人的理想追求及对现实生活的顽强抗争。影片以第一人称叙事和客观视点,表现开放的内涵空间,糅合了交错复杂的情感、人性,探寻和审视了中国社会特定时期的文化现实的表征,各板块故事间极具审美张力。＂The Peacock＂ by Gu Changwei gives prominence to the feelings between parents and their children, human＇ s ideal pur- suit and the struggles against the real life, in its simple pictures depiction and narration of plate polyphonic structure. This movie, with the first person＇s narration and the objective viewpoint, has revealed the representation of cultural reality in China~ specific period, aesthetic tension among the plates of stories, for its open connotative space and the complicated hybridity in feelings and human natures.

关 键 词：《孔雀》 质感还原 板块复调叙事 人性张力 

分 类 号：I053.5[文学—文学理论]