狂欢化:韩寒《光荣日》的后现代叙事特征  

Carnival: Post-modern Narrative Feature of HAN Han's Glory Day

作　　者：赵乔翔[1] 单文悦[1] 

机构地区：[1]三峡大学文学院,湖北宜昌443002

出　　处：《三峡大学学报（人文社会科学版）》2009年第6期61-65,共5页Journal of China Three Gorges University(Humanities & Social Sciences)

摘　　要："狂欢化"是巴赫金在研究欧洲中世纪和文艺复兴时期民间文化及文学创作的基础上提出并系统阐释的一种文化与文学理论。在中国小说界经历多种"现代性"探索与实验后却仍然迷茫于"不知路在何方"之时,狂欢化理论为小说创作指点了"后现代"之路。韩寒的《光荣日》是具有鲜明的后现代狂欢化叙事特征的小说,主要表现为空间戏仿化、人物边缘化、情节双声化和语言粗鄙化。Carnival is a cultural and literary theory put forward and systematically interpreted by Bakhtin on the basis of his study of popular culture and literature creation in medieval and Renaissance Europe. Chinese novel circles have witnessed a variety of ＂modern＂ explorations and experimentations, but still been confused by the problem of ＂which road to take. ＂ The introduction of the theory of carnival fiction points out the ＂post-modern＂ direction for Chinese novel creation. HAN Han＇ s Glory Day is a novel with distinctive features of post-modern carnival narrative novel, embodied by the use of space parody, marginalized characters, double voices of the plots and vulgar language.

关 键 词：韩寒 《光荣日》 狂欢化 后现代主义 叙事手法 

分 类 号：I206.7[文学—中国文学]