从祖国接受和反思现代性——以日据时期台湾作家的祖国之旅为中心的考察  

Received and Reflected the Modernity from Motherland——An Investigation on the Journey to Motherland of Taiwan Writers during Japanese Occupation

作　　者：朱双一[1] 

机构地区：[1]厦门大学台湾研究中心,福建厦门361005

出　　处：《台湾研究集刊》2009年第4期86-96,共11页Taiwan Research Journal

基　　金：教育部人文社会科学重点研究基地重大课题(07JJDGAT246);福建省社科规划项目(2006B2130)

摘　　要：日据时期台湾作家的祖国之旅不仅增强了他们的民族认同感,而且具有扩大视野,从祖国接受现代文明成分的意义。赖和兄弟从其厦门经验中认知医治国人精神病症的重要性;谢春木对于"现代化"兼具"接受"和"反思"两端,发现中国大陆作为半殖民地,与台湾一样存在着殖民性与现代性的纠葛与悖论。大陆经验使台湾作家更多从五四新文学中吸取营养,促进了台湾新文学的兴起和发展,如周定山与中国现代文学三大主题和鲁迅风格有相当的契合;王白渊在"艺术"和"革命"之间最终选择了后者,而这是诸多中国现代文学作家的共同"宿命"。During Japanese Occupation, the travelling to motherland of Taiwan writers not only enhanced their national identity but also had the meaning of vision enlargement and reception of modern civilization components from motherland. Lai He brothers recognized the importance of improving national spirit from their experiences in Xiamen. Xie Chun-mu received and refleeted the modernization. He found that there were entanglement and paradox of colonialism and modernity in China mainland as semi-colony,just like Taiwan. Mainland experiences made Taiwan writers absorb more nutrition from May Fourth New Literature, what promoted the rising and development of Taiwan New Literature. Zhou Ding-shan agreed with the three main themes of modern Chinese literature and Lu Xun＇s style. Wang Bai-yuan finally selected the latter between＂ art＂ and＂ revolution＂, and this was the same foreordination of many modern Chinese literature writers.

关 键 词：日据时期 台湾作家 祖国之旅 殖民现代性 台湾新文学 

分 类 号：I206.6[文学—中国文学]