梁启超、宗白华美学的相似性及其启示  

Similarity and Inspiration from Aesthetics of Liang Qichao and Zong Baihua

作　　者：欧阳文风[1] 

机构地区：[1]中南大学文学院,湖南长沙410083

出　　处：《湖南师范大学社会科学学报》2009年第5期33-37,共5页Journal of Social Science of Hunan Normal University

基　　金：国家社科基金项目"感悟诗学的现代转型研究"(08CZW002);湖南省社科基金项目"感悟诗学的现代转型研究"(07YBB021);中南大学985项目资助课题"感悟诗学的现代转型研究"

摘　　要：梁启超、宗白华美学具有多方面的相似性,它们的核心范畴都是对传统美学范畴的承接与转化,都具有中西会通的意识和文化关怀的精神,都来源于现实人生和具体的艺术实践,都在驳杂的表象下面有一种内在的逻辑体系。两位美学大师在美学建构上的这些相似性,给当下美学研究的启示是非常深远的,我们必须在一种世界视野下,深入挖掘民族美学资源,张扬美学的民族个性,发出属于自己的声音。美学研究必须面对现实人生,必须密切联系艺术实践,纯抽象的理论演绎只会作茧自缚,自绝于人。There are many similarities in the aesthetics of Liang Qichao and Zong Baihua. Their categories at the core are continued and transformed from traditional aesthetic category. And their categories have a thorough knowledge of Chinese and Western, and all stem from real life and specific artistic practice, having an inherent logical system under the mixed representation. The contemporary aesthetics can draw much inspiration from these similarities, such as we must tap deeply into the essence of national aesthetic ideology within world ken; make widely known of national character of aesthetic view point; speak independent utterance. The study of aesthetic not only must face with real life but also closely integrate theory with artistic practice; otherwise we will be fell into the cocoon set by ourselves if we only research abstract theory.

关 键 词：传统美学 中西比较 现实人生 艺术实践 逻辑体系 

分 类 号：B83-09[哲学宗教—美学]