莎士比亚的戏剧语言与创伤记忆  

The Dramatic language and Traumatic Memory in Shakespeare's Plays

作　　者：彭贵菊[1] 

机构地区：[1]广东工业大学外国语学院,广东广州510520

出　　处：《广东工业大学学报（社会科学版）》2009年第6期57-60,68,共5页Journal of Guangdong University of Technology(Social Sciences Edition)

基　　金：国家"985工程"拓展项目"语言科学技术与当代社会建设跨学科创新平台"的项目成果之一;项目编号:985yk008

摘　　要：莎士比亚的戏剧作品运用戏剧语言呈现了那个时代的创伤记忆。由于创伤无法通过惯常语法被感知或言说,戏剧作品充当了创伤的脚本,戏剧舞台也成为演绎创伤的场所。莎士比亚通过一系列创伤人格的塑造,揭示了人物与空间、时间和自我相疏离的心理现实。通过对莎士比亚戏剧元素的解读,可望揭示那些被压抑的无法进入历史和语言的特殊记忆,还原一个更完整的时代风貌。Shakespeare＇ s plays present the traumatic memory of his time by the employment of dramatic devices and language. As trauma cannot be felt by conventional grammar or narrated, the plays thereby act as the script for trauma, performing itself on the stage. By depicting a series of traumatic personalities, Shakespeare reveals to us the psychological reality of characters＇ alienation from space, time and the ego. This study attempts to approach Shakespeare＇ s plays by way of his representation of traumatic memory, aiming at restoring a complete picture of the time.

关 键 词：莎士比亚 戏剧语言 创伤记忆 文艺复兴 

分 类 号：I106.3[文学—世界文学]