故事情节的仿效与中俄家族叙事的分野——《财主底儿女们》与《战争与和平》的比较  

The Imitation of the Plot and the Distinction between the Narratives:A Comparison between Children of the Magnate and War and Peace

作　　者：李永东[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《湘潭大学学报（哲学社会科学版）》2009年第6期119-123,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：教育部人文社会科学研究项目(07JC51011);国家社会科学项目(08XZW014)成果之一

摘　　要：许多学者提到《财主底儿女们》在情节上对《战争与和平》的模仿现象,但具体情形如何,语焉不详。从家族文化角度比较这两部小说,其"同中之异"表现在:一、女人的舞台:沙龙贵族之家与后花园贵族之家;二、罪恶的妖女形象:堕落与异化;三、抢亲事件:拯救与伤害。路翎对托尔斯泰创作的仿效,最终化为对中国家族故事的深度表现,路翎的模仿是创造性的模仿。Many experts had noticed Luling＇s Children of the Magnate sharing the similar plot of Tolstoy＇ s War and Peace, while none elaborated this phenomenon in greater details. As the family narrative is the selected perepective in the paper, the imitation is explored by analyzing the specific attributes of the Sino - Russian family cultures and the different purposes of this two writers. This paper focuses on three distinct aspects of the two similar stories ： 1 ） Women ＇ s Stage ： Sharon Aristocratic Family and Garden Aristocrats Family ; 2） The Images of Wicked Woman ： Corruption and Mutation ; 3） The Occurrence of Robbing the Bride ： Extrication and Infliction. To sum up, Luling＇ s imitation to Tolstoy , eventually turned to represent the very story of Chinese family, so Luling＇ s imitation are original.

关 键 词：《战争与和平》 《财主底儿女们》 家族文化 中国 俄罗斯 仿效 

分 类 号：I0-03[文学—文学理论] I206