广昌孟戏的旋法特征及调式属性分析  

On the Analysis of Melody Characteristics and Modal Attributes of Meng-drama in Guangchang

作　　者：廖夏林[1] 

机构地区：[1]东华理工大学文法与艺术学院,江西抚州344000

出　　处：《东华理工大学学报（社会科学版）》2009年第4期316-319,共4页Journal of East China University of Technology(Social Science)

摘　　要：广昌孟戏在上世纪60年代就被专家学者关注,并进行了大量的田野挖掘与学术整理工作,为中国戏曲史研究、民俗研究和海盐腔等古老唱腔的研究继承,提供了十分珍贵的资源,具有独特的艺术科研价值和社会学价值。文章通过对孟戏声腔演唱的基本特性和表现形式分析整理,并对其剧种的曲牌结构、声腔结构、旋律结构、调式调性等特征进行综述,为进一步探讨研究孟戏这一古老的戏曲剧种提供一定的参考,使这一古老艺术得到更好的保护和传承。In the sixties of last century, Meng-drama in Guangchang was concerned by experts and scholars already, they carried out a large number of field excavation and academic preparation works, received a very precious resource for the study of the history of Chinese opera, folk studies, Haiyan and other ancient singing. Mengdrama in Guangchang has a unique artistic research value and the sociological value. This paper analyses the basic characteristics of the tune singing and the manifestations of Meng-drama, and overviews the characteristics in Qupai structure, tune structure, melodic structure and modal tonality of this opera. These are intended to provide some reference to further explore and study this old Chinese opera：Meng-drama, and to make this ancient art to be better protected and inherited.

关 键 词：孟戏 曲牌结构 声腔结构 旋律结构 调式特征 

分 类 号：I207.36[文学—中国文学]