印刷媒介时代的鲁迅与出版场  

A Look at Lu Xun and the Publishing Field in the Print Media Age

作　　者：杨晶[1] 戈双剑[2] 

机构地区：[1]中国社会科学院文学所,北京100732 [2]中国国家旅游局,北京100005

出　　处：《南阳师范学院学报》2009年第11期53-60,共8页Journal of Nanyang Normal University

摘　　要：在20世纪二三十年代已具有高度分化性的中国社会,理解印刷媒介时代的出版现象,意味着将其置于特定的出版场中,结合出版人的性情系统、社会轨迹及所拥有的出版资本和相应的出版语境来加以考察。通过对出版场的逻辑、占据者的习性、出版场内部斗争的分析,确立了场主义对于出版现象,特别是对出版界与作家的关系理解以及20世纪二三十年代独异的文化现象具有的关键解释力和揭示力,这其中鲁迅与出版场的相互关系具有鲜明的代表性。In a highly labor-differentiated Chinese society in the 1920s and 1930s, to understand the publishing phenomenon in an era of print media means that we should investigate the publishing phenomenon by putting it in the context of given publishing field, combining the temperament system, social background, and capital operation of the publishers and taking into account the publication context. By analyzing the logics of the publishing field, the habits of the publishers, and the internal rivalry in the publishing field, a series of publishing phenomena, especially, the relationship between the publishing field and writers, and the unique cultural phenomenon in the 1920s and 1930s can be better comprehended and reflected in the context of the whole publishing field. Among these phenomena, the interaction between Lu Xun and the publishing field serves as a typical example.

关 键 词：印刷媒介 出版场 惯习 鲁迅 

分 类 号：I210.96[文学—中国文学] I210.97